Universal Pictures’ “How To Train Your Dragon” soared over the competition this weekend as family-friendly films continued their dominance at the box office.
The live-action adaptation of the animated franchise from DreamWorks Animation grossed $83.7 million in its opening weekend in the U.S. and Canada, according to studio estimates.
It beat out fellow live-action remake “Lilo & Stitch” from Walt Disney Co., which hauled in $15 million over the weekend for a cumulative total of $366 million after 24 days. A24’s “Materialists,” Paramount’s “Mission: Impossible — The Final Reckoning” and Lionsgate’s “Ballerina” rounded out the top five.
Expectations were high for the Universal film, which revives a profitable franchise for the studio.
The original animated movie was released in 2010 and grossed nearly $495 million in global box office revenue. A sequel followed in 2014 and brought in more than $621 million worldwide. The most recent film in the trilogy, “How to Train Your Dragon: The Hidden World,” came out in 2019 and made almost $540 million globally.
“How to Train Your Dragon” comes at an opportune time for family films. After a lackluster first quarter at the box office, theater attendance has been turbocharged, at least in part by the success of kid-friendly movies such as Warner Bros. Pictures “A Minecraft Movie” and Disney’s “Lilo & Stitch.”
Though family audiences were initially slow to return after the pandemic shutdowns, movies that appeal to those theatergoers have turned out to be box office juggernauts.
Last summer, Disney and Pixar’s “Inside Out 2” and Universal and Illumination Entertainment’s “Despicable Me 4” drove theater revenues at a time when the industry was collectively wringing its hands after a slow Memorial Day weekend.
This summer, “How to Train Your Dragon” and “Lilo & Stitch” are demonstrating the power of the hybrid film, which combines live actors with computer-animated creatures — a strategy that has proved valuable, said David A. Gross, who writes movie industry newsletter FranchiseRe.
The trend began in 1988 with Robert Zemeckis’ “Who Framed Roger Rabbit” and has seen recent success with films such as Paramount’s “Sonic the Hedgehog” franchise and StudioCanal’s “Paddington” movies.
“It’s just a logical step in computer filmmaking,” Gross said. “It’s a very powerful storytelling tool.”
